@image1
Sera identity
Scope — FACE, HAIR, BODY ONLY
clothing ignored
prism-hi
by
Notak
Notakhi
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Project Tasks
26 planning tasksPage design: Paused — add credits to continue
#1
Generate system requirement document
0m 20s0.2 cr used
Done#2
Generate personas & user flows
0m 7s0.2 cr used
Done#7
Create flow for The Director
0m 6sCredits in parent
Done#8
Landing
5m 10sCredits in subtasks
Done#28
Fix Landing review findings: Continuity boost values overlap their labels in the tablet… (+2 more)
0m 19s0.4 cr used
Done#16
Landing / App Header
0m 28s1.6 cr used
Done#17
Landing / Hero
0m 30s1.6 cr used
Done#18
Landing / Premise
0m 29s1.6 cr used
Done#19
Landing / Production Shape
0m 31s1.6 cr used
Done#20
Landing / Prompt Discipline
0m 30s1.6 cr used
Done#21
Landing / Reference Map
0m 29s1.6 cr used
Done#22
Landing / Color Lock
0m 30s1.6 cr used
Done#23
Landing / Continuity Loop
0m 51s1.6 cr used
Done#24
Landing / Entry
0m 40s1.6 cr used
Done#25
Landing / App Footer
0m 16s1.6 cr used
Done#26
App Header
0m 28sCredits in parent
Done#27
App Footer
0m 16sCredits in parent
Done#9
Login
Credits in subtasks
Backlog#10
Dashboard
Credits in subtasks
Backlog#11
Scene Plan
Credits in subtasks
Backlog#12
Prompt Studio
Credits in subtasks
Backlog#13
Continuity
Credits in subtasks
Backlog#14
Trim Review
Credits in subtasks
Backlog#15
Voice Setup
Credits in subtasks
Backlog#5
Architecture
0.2 cr needed
Paused#6
Workspace task plan
0.2 cr needed
Paused
Cinematic Production System
Ashborn
A mother protects her dragon son from a hunter and the village’s fear; she dies for him, and he honors her by choosing mercy instead of revenge.
Enter the production hub
Plan first · approve with OK · then generate
The Premise
A mother protects her dragon son from a hunter and the village’s fear; she dies for him, and he honors her by choosing mercy instead of revenge.
- protect
- sacrifice
- mercy
The fixed production shape
5ActsStory acts
10ScenesLocked scenes
~91ClipsClips of 15s
~23minRuntime
Act breakdown
Clips per actACT 1 – THE HUNT
S01–S06
climb, pendant glow, chase, the stone, labor in the dark, born of ash, the horn
27clipsACT 2 – THE SECRET
S07–S10
the fever lie, what does he eat, growing fire, the boy at the window
18clipsACT 3 – THE BETRAYAL
S11–S13
Oksana watches, the hunter rides in, gold on the snow
16clipsACT 4 – THE SACRIFICE
S14–S15
the frozen lake, a mother's last stand
13clipsACT 5 – RISE OF EMBER
S16–S18
awakening, the toy in the snow, the stone again
17clips
The locked prompt discipline
Every clip is written in one fixed sequence. COLOR LOCK and COSTUME open the template as the two most important locks, and the remaining thirteen sections follow in order down to AVOID.
COLOR LOCK
MOST IMPORTANTCOSTUME
MOST IMPORTANTREFERENCES
RULES
REALISM
CHARACTER
OPENING FRAME (0s)
TIMED SHOTS (0–5s / 5–10s / 10–15s)
END FRAME (15s)
ACTING
CAMERA
AUDIO
STYLE
REMINDER
AVOID
AVOID closes the template as the final section and replaces a separate negative prompt box.
Four locked plates, one scope each
Every clip draws from the same reference set. Each plate carries a single responsibility — identity, environment, motion, or secondary subject — and is used for that scope and nothing more.
@image2
Location
Scope — environment only
never its angle, framing, or colors
@image3
Previous clip's last frame
Scope — POSITION, POSE, CAMERA ANGLE ONLY
boosted before use; chest rule applies
@image4
Lioness / Ember / Varek
Scope — secondary subjects when needed
no @image5 for costume
Locked Rule
No @image5. Costume is never carried by an image reference — it is written in text only.
The crimson shawl and solid emerald dress are described in the prompt, never attached as a reference plate.
Color Lock & The Defining Motif
All output renders in full vivid, high-contrast, rich saturated color — never faded, grey, hazy, desaturated, or black and white.
Crimson#B3121B
Deep Emerald#0E5B3A
Obsidian#0B0705
Ember Glow#FF7A1A
Crimson shawl over one solid deep emerald dress — obsidian at the throat, ember as the only warm light.
Costume motif
Crimson red wool shawl draped overOne solid deep emerald green dress
Closed to a high round neckline — no cleavage, chest plain green.
Pendant: small black obsidian on a leather cord, glowing orange — brighter with pain.
Warm orange-brown / rust wet rock with glossy highlights
Deep black shadow, no grey murk
Bright clean rim light around the boulder
Warm orange pendant glow, brighter with pain
Never
faded colors·washed out·desaturated·grey haze·grey rock·blue-grey tint·black and white·flat lighting·pastel colors·dull colors·misty cave·milky, foggy image·orange firelight or torch unless the script calls for it
Cave interiors stay dark but warm. The pendant glow is the only warm light source — the sealed cave never reads grey, hazy, or fogged.
Continuity
The continuity loop
Each clip's first frame equals the previous clip's end frame. A single stroke that never breaks.
Before a clip is written, its anchor frame passes through one chain of three moves — the boost, the chest rule, and the re-anchor — so color, costume, and physical position carry across every cut without drift.
IBoost @image3
Before anything else, the previous clip's last frame is boosted — saturation lifted to +25/30, contrast to +20/25, and warmth +20 in the cave — so a faded input can never produce a faded video.
@image3 boost
- Saturation
- +25 / 30
- Contrast
- +20 / 25
- Warmth
- +20 · in the cave
IIApply the chest rule
If the boosted last frame shows Sera's chest, it is substituted with a flat-color sketch: crimson red shawl over one solid deep emerald green dress. If it shows only her back, legs, lions, or environment, the real boosted frame is used.
Flat-color sketch — Crimson red shawl · solid emerald dress
Real boosted frame — Back, legs, lions, or environment only
IIIAnchor the new end frame
The clip's end frame becomes the next clip's anchor, and each clip's first frame equals the previous clip's end frame. The chain never breaks between shots.
Trim and re-anchor
LoopA trim does not end the chain — it restarts it from a new point. The trimmed last frame becomes the next clip's anchor, and the Director describes the kept content so the system knows what it is continuing from.
Trim the clip
The Director trims what did not work out of the generated clip.
Re-anchor
The trimmed last frame becomes the new anchor for the next clip, replacing the old end frame.
Describe what happened
The Director says what the kept content is — the system cannot watch video, so it is told.
Plan firstApprove with OKthen generate
Cinematic Production System
Ashborn
A mother protects her dragon son from a hunter and the village’s fear; she dies for him, and he honors her by choosing mercy instead of revenge.
Enter the production hub
Plan first · approve with OK · then generate
The Premise
A mother protects her dragon son from a hunter and the village’s fear; she dies for him, and he honors her by choosing mercy instead of revenge.
- protect
- sacrifice
- mercy
The fixed production shape
5ActsStory acts
10ScenesLocked scenes
~91ClipsClips of 15s
~23minRuntime
Act breakdown
Clips per actACT 1 – THE HUNT
S01–S06
climb, pendant glow, chase, the stone, labor in the dark, born of ash, the horn
27clipsACT 2 – THE SECRET
S07–S10
the fever lie, what does he eat, growing fire, the boy at the window
18clipsACT 3 – THE BETRAYAL
S11–S13
Oksana watches, the hunter rides in, gold on the snow
16clipsACT 4 – THE SACRIFICE
S14–S15
the frozen lake, a mother's last stand
13clipsACT 5 – RISE OF EMBER
S16–S18
awakening, the toy in the snow, the stone again
17clips
The locked prompt discipline
Every clip is written in one fixed sequence. COLOR LOCK and COSTUME open the template as the two most important locks, and the remaining thirteen sections follow in order down to AVOID.
COLOR LOCK
MOST IMPORTANTCOSTUME
MOST IMPORTANTREFERENCES
RULES
REALISM
CHARACTER
OPENING FRAME (0s)
TIMED SHOTS (0–5s / 5–10s / 10–15s)
END FRAME (15s)
ACTING
CAMERA
AUDIO
STYLE
REMINDER
AVOID
AVOID closes the template as the final section and replaces a separate negative prompt box.
Four locked plates, one scope each
Every clip draws from the same reference set. Each plate carries a single responsibility — identity, environment, motion, or secondary subject — and is used for that scope and nothing more.
@image1
Sera identity
Scope — FACE, HAIR, BODY ONLY
clothing ignored
@image2
Location
Scope — environment only
never its angle, framing, or colors
@image3
Previous clip's last frame
Scope — POSITION, POSE, CAMERA ANGLE ONLY
boosted before use; chest rule applies
@image4
Lioness / Ember / Varek
Scope — secondary subjects when needed
no @image5 for costume
Locked Rule
No @image5. Costume is never carried by an image reference — it is written in text only.
The crimson shawl and solid emerald dress are described in the prompt, never attached as a reference plate.
Color Lock & The Defining Motif
All output renders in full vivid, high-contrast, rich saturated color — never faded, grey, hazy, desaturated, or black and white.
Crimson#B3121B
Deep Emerald#0E5B3A
Obsidian#0B0705
Ember Glow#FF7A1A
Crimson shawl over one solid deep emerald dress — obsidian at the throat, ember as the only warm light.
Costume motif
Crimson red wool shawl draped overOne solid deep emerald green dress
Closed to a high round neckline — no cleavage, chest plain green.
Pendant: small black obsidian on a leather cord, glowing orange — brighter with pain.
Warm orange-brown / rust wet rock with glossy highlights
Deep black shadow, no grey murk
Bright clean rim light around the boulder
Warm orange pendant glow, brighter with pain
Never
faded colors·washed out·desaturated·grey haze·grey rock·blue-grey tint·black and white·flat lighting·pastel colors·dull colors·misty cave·milky, foggy image·orange firelight or torch unless the script calls for it
Cave interiors stay dark but warm. The pendant glow is the only warm light source — the sealed cave never reads grey, hazy, or fogged.
Continuity
The continuity loop
Each clip's first frame equals the previous clip's end frame. A single stroke that never breaks.
Before a clip is written, its anchor frame passes through one chain of three moves — the boost, the chest rule, and the re-anchor — so color, costume, and physical position carry across every cut without drift.
IBoost @image3
Before anything else, the previous clip's last frame is boosted — saturation lifted to +25/30, contrast to +20/25, and warmth +20 in the cave — so a faded input can never produce a faded video.
@image3 boost
- Saturation
- +25 / 30
- Contrast
- +20 / 25
- Warmth
- +20 · in the cave
IIApply the chest rule
If the boosted last frame shows Sera's chest, it is substituted with a flat-color sketch: crimson red shawl over one solid deep emerald green dress. If it shows only her back, legs, lions, or environment, the real boosted frame is used.
Flat-color sketch — Crimson red shawl · solid emerald dress
Real boosted frame — Back, legs, lions, or environment only
IIIAnchor the new end frame
The clip's end frame becomes the next clip's anchor, and each clip's first frame equals the previous clip's end frame. The chain never breaks between shots.
Trim and re-anchor
LoopA trim does not end the chain — it restarts it from a new point. The trimmed last frame becomes the next clip's anchor, and the Director describes the kept content so the system knows what it is continuing from.
Trim the clip
The Director trims what did not work out of the generated clip.
Re-anchor
The trimmed last frame becomes the new anchor for the next clip, replacing the old end frame.
Describe what happened
The Director says what the kept content is — the system cannot watch video, so it is told.
Plan firstApprove with OKthen generate
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