windy-project is a small atelier presentation for three gold-and-crystal decorative lidded vessels. The product intent is derived from the authoritative user requirement thread — a delegated design instruction ("تصميم اخر" / "تصميم خر") accompanied by a single uploaded product photograph — and from the accepted Planning Scope, which classifies the only concrete supplied material as that photograph of three gold-and-crystal decorative lidded vessels on a white surface, carrying a "99dt" overlay and a "TOPACO" watermark.
The audience is the gift/collector shopper browsing on a phone, deciding whether these objects are treasure or trinket, and the store owner who presents these decorative items. The product is a public, anonymous, image-led presentation: a first impression that frames the photograph as a lit artefact, and a viewing destination where the three vessels can be inspected as a collection. No product behavior, delivery, access, roadmap, or hard constraints beyond the supplied material were stated by the user.
windy-project is delivered as a first-party custom web interface with two anonymously reachable destinations: Landing and Gallery. Both are owned by the application and require no access credential. The system presents the uploaded photograph as its primary content and visual reference, preserves the "TOPACO" watermark and "99dt" overlay as part of the source artefact, and carries bilingual Arabic-first copy alongside Latin display type.
The accepted active human actors are the Shopper and the Store Owner. The Shopper browses the product presentation and selects a desired piece; the Store Owner presents the product imagery and its details so that shoppers see the offered items. No system, provider, or external actor is required for the accepted behavior.
Narrow exclusions: no checkout, payment, cart, order, shipping, account, or inventory-management capability is accepted. No blue or indigo primary/accent, no rounded cards, pills, glass panels, frosted blur, or drop shadows, and no recolouring, cropping through, or overlaying text on the uploaded vessels.
The delivery boundary is a public, anonymous, first-party presentation surface. Both accepted destinations are reachable without establishing identity, because the accepted behavior — viewing the photograph and identifying a desired piece — creates no durable actor-specific state, commitment, entitlement, or value transfer that must remain bound to a participant. No application-owned identity is established, and no protected destination exists in the current horizon.
The current horizon covers the Landing first impression and the Gallery viewing sequence. Nothing beyond presenting the three vessels and their details is accepted as current. Future ideas, if any arise, remain outside current pages and acceptance.
The following verified factual content is supplied by the authoritative content_source reference directive (uploaded product photograph, chat_media/23903e33-45b9-4c19-bf81-cd570ac11d3a/15b5fd59_477990641_629364956297277_7856668747497680890_n.jpg):
chat_media/23903e33-45b9-4c19-bf81-cd570ac11d3a/15b5fd59_477990641_629364956297277_7856668747497680890_n.jpg (message b4b1bcc5-acec-4ba1-9cf4-0f517a24b41a, created 2026-09-29T11:00:12.996501+00:00).No further verified facts — dimensions, weights, prices beyond the "99dt" overlay, or provenance — were supplied, and none are invented here.
FR-1 — Anonymous first impression (explicit) As a Shopper, I should arrive at Landing without any credential and immediately see the monumental bilingual wordmark and the uploaded photograph of the three gold-and-crystal lidded vessels, so that I understand what is being offered before doing anything else.
FR-2 — Enter the collection (explicit) As a Shopper, I should activate the solid vermilion button "استعرض المجموعة" on Landing to move into the Gallery sequence, so that I can inspect the vessels as a collection.
FR-3 — View the three-vessel set (explicit) As a Shopper, I should activate the ghost gold-bordered button "القطع الثلاث" on Landing to see the three vessels presented together, so that I can judge the set as one collection.
FR-4 — Inspect a vessel plate (explicit) As a Shopper, I should read each Gallery plate's gold index numeral, Arabic name, and hairline spec list, so that I can compare material, height, finish, and price across the three vessels.
FR-5 — Hover a specimen for its detail crop (explicit) As a Shopper, I should hover a specimen plate so that its photograph crossfades to a second tighter crop and its index numeral flips from gold to vermilion, so that I can examine the dome and crystal detail.
FR-6 — Filter the sequence (explicit) As a Shopper, I should use the single horizontal row of ghost-rectangle filters to narrow the Gallery sequence, so that I can reach the piece I want.
FR-7 — Present the product imagery and details (explicit) As a Store Owner, I should have the uploaded photograph and the vessel details presented on Landing and Gallery exactly as supplied, so that shoppers see the offered items.
FR-8 — Preserve the source artefact (explicit) As a Store Owner, I should have the photograph never recoloured, never cropped through the vessels, and never overlaid with text, with the "TOPACO" watermark and "99dt" overlay intact, so that the source artefact is presented faithfully.
FR-9 — Bilingual legibility (explicit) As a Shopper, I should read Arabic display type and Latin display type at equal dignity, never mixed inside one line, so that both scripts are legible at every viewport.
FR-10 — Reduced-motion presentation (explicit) As a Shopper, I should receive instant, fully-visible content when prefers-reduced-motion is set, so that no choreography is required to read the page.
Product context: a gift/collector shopper browsing on a phone, deciding whether these objects are treasure or trinket. The Shopper arrives anonymously, with no account and no prior relationship to the atelier.
Primary goal: identify the desired piece among the three gold-and-crystal lidded vessels.
Distinct accepted responsibilities: viewing the product presentation and selecting an item. The Shopper reads the monumental bilingual wordmark, inspects the photograph as a lit artefact, moves into the Gallery sequence, reads each plate's index numeral, Arabic name, and hairline spec list, hovers a specimen for its detail crop, and narrows the sequence with the filter row.
Relevant inputs or decisions: which of the three vessels matches the intended gift or collection; whether the material, height, finish, and price shown in the spec list suit the intent; which filter narrows the sequence usefully.
Interactions with other accepted participants: the Shopper is the audience for the Store Owner's presentation. The Shopper's inspection is the observable outcome the Store Owner's presentation serves.
Observable success: the Shopper has identified the desired piece and can name it from its plate.
Product context: the party who presents these decorative items to shoppers. The upload is a seller-style product photo carrying a price/stock-style overlay and a watermark, implying someone who offers the vessels.
Primary goal: shoppers see the offered items.
Distinct accepted responsibilities: presenting the product imagery and its details. The Store Owner's work is the supplied photograph and its attributes — the three vessels as one set, their material, height, finish, and price — rendered faithfully on Landing and Gallery, with the "TOPACO" watermark and "99dt" overlay preserved and the photograph never recoloured, cropped through, or overlaid with text.
Relevant inputs or decisions: the supplied photograph as the authoritative artefact; the vessel details that populate the spec lists.
Interactions with other accepted participants: the Store Owner presents to the Shopper, whose inspection is the outcome of that presentation.
Observable success: the offered items are visible to shoppers exactly as supplied, with the source artefact intact.
The authoritative CREATIVE DIRECTION — Editorial swagger in gold on warm black, muse Tobias van Schneider — governs this section.
Headline: Editorial swagger in gold on warm black.
Mode: dark.
Colour tokens by role:
| Role | Hex | Use |
|---|---|---|
| Background | #0B0B0C | Warm black gallery ground; carries 70% of every screen |
| Surface | #141416 | Slightly lifted panel for metadata blocks, spec rows, caption plates |
| Text | #F4F1EA | Bone-white; the only light mass — huge headlines and 16–17px body, never a filled button |
| Primary | #C9A227 | Antique gold; line, rule, numeral, small-caps label colour — never a gradient |
| Accent | #E2452B | Vermilion; only on primary CTA fill, active filter chip, running index of the current slide |
| Muted | #8A8578 | Muted brass-grey; captions, timestamps, disabled states, above 4.5:1 on the black ground |
No white grounds anywhere except the product photograph itself, which sits as a lit rectangle inside the dark room.
Typography:
Type scale: 1.5 modular display / 1.25 modular UI. Display 44px mobile → 96px tablet → 168px desktop (clamp(2.75rem, 12vw, 10.5rem)) for the hero wordmark; section titles 32 → 56 → 80px; product name 28 → 40 → 52px; body 17px flat; labels 11px. Arabic display uses the same clamp values with 1.15 line-height and 0.02em tracking.
Radius and shape language: sharp corners everywhere — zero border-radius on cards, buttons, images, and inputs. The only curves in the system are the products' own crystal domes. Rules are hairline 1px in rgba(244,241,234,0.14) or solid gold 1px when they carry hierarchy. Frames are full-bleed rectangles and hard-edged colour plates; no pills, no soft shadows, no glass. Buttons are solid vermilion rectangles with bone-white caps labels, or ghost rectangles with a 1px gold border. The one permitted softness is a very large, very soft radial vignette behind the hero photograph.
Spacing rhythm: asymmetric editorial grid — 12 columns desktop, 6 tablet, 4 mobile. Whitespace between sections is 96px mobile / 160px desktop.
Imagery style: the uploaded photograph is the hero artefact, treated as museum material — a lit rectangle on the warm black ground, never recoloured, never cropped through the vessels, with a subtle dark vignette and a 1px bone hairline frame. Supporting imagery is a second tighter crop of the same photo (dome and crystal detail) and, where a vessel needs its own plate, a monochrome-duotone crop in gold-on-black so the set reads as one collection. No stock people, no gradient blobs, no 3D primitives, no clip art; the only ornament is the photograph itself and the gold rules around it.
The public entry is a dark gallery wall, not a SaaS hero.
The first screen is composed as an asymmetric editorial spread. The left column — about 42% width on desktop, full width on mobile — carries the bilingual monumental wordmark: "تصميم خر" set in Noto Kufi Arabic 700 at clamp(2.75rem, 12vw, 10.5rem) in bone-white, with "WINDY — OBJECTS" in Playfair Display 700 small-caps gold beneath it at 11px/0.18em. Below that, a single line of Arabic body copy, then one solid vermilion rectangle button, "استعرض المجموعة", and one ghost gold-bordered button, "القطع الثلاث".
The right column is the uploaded photograph, full-bleed to the right and top edges of the viewport, sitting on the black ground with a soft radial glow behind it, its vessels fully visible and uncropped at every breakpoint. A hairline gold rule runs the full viewport width beneath the composition, with "01 — THREE VESSELS" at its left end and "GOLD · CRYSTAL · 99dt" at its right in gold 11px caps.
The signature moves are: the bilingual monumental wordmark stacked Arabic-above-Latin, both flush left, reading as an editorial masthead rather than a logo lockup; the photograph framed as a lit artefact inside a warm-black room, full-bleed to the right edge with a hairline bone frame and soft internal glow; the gold hairline baseline rule that spans the entire viewport width and doubles as the page's running index, updating per section as you scroll; specimen plates with hard-cut zero-radius frames and oversized Playfair Display index numerals that flip from gold to vermilion on hover while the photograph crossfades to a detail crop; and a filter row of sharp ghost rectangles that scrolls horizontally with scroll-snap on mobile and becomes a single static row on desktop.
There is no centred stack, no subheadline paragraph, no blue, no gradient blob, no floating card.
Interaction Model: Animated Motion Tempo: restrained Hero Dimensionality: flat
Focal subject: the uploaded photograph of the three gold-and-crystal lidded vessels, presented as a lit rectangle on the warm black ground.
Input → transformation → outcome thesis: on load, the hero wordmark reveals by a 24px upward mask-wipe over 700ms with a slow-out cubic-bezier(0.16,1,0.3,1); the photograph then crossfades in from black over 900ms. The outcome is a composed first frame in which the wordmark and the artefact are both fully present and readable.
Motion vocabulary: mask-wipes, crossfades, and scroll reveals only. No bounce, no scale, no continuous loop.
Composed first frame: the bilingual wordmark flush left at monumental scale, the gold small-caps Latin line beneath it, the Arabic body line, the two buttons, and the photograph full-bleed to the right and top edges with its hairline bone frame and soft radial glow — all on the warm black ground, with the gold baseline rule spanning the viewport width beneath.
Reduced-motion state: all choreography collapses to instant, fully-visible content; the filter row wraps into two rows with every label whole.
NFR-1 — Readable text and needed content stay whole (explicit)
Headlines, wordmarks, labels, numbers, item images, cards, and controls stay entirely inside the viewport and their container at 375px, 768px, and 1280px, wrapping or scaling (for example font-size: clamp(...) with its mobile size) to fit, with no other element covering any part of them. Crops, bleeds, and off-edge placement are for decoration only: shapes, textures, rules, and background art. Rationale: the direction's full-bleed and asymmetric gestures must not carry readable content off an edge.
NFR-2 — Moving and scrollable content exception (explicit)
Moving and scrollable content (marquees, tickers, carousels, horizontally scrollable rows) may cross the viewport or container edge by design, judged by whether it actually moves or scrolls and whether every item becomes fully readable as it passes. With prefers-reduced-motion it stops and shows whole items: they wrap into rows, or sit in a horizontally scrollable row (overflow-x: auto) whose further items are reached by scrolling. Rationale: the Gallery filter row is natively scrollable with scroll-snap.
NFR-3 — Source artefact integrity (explicit) The uploaded photograph is never recoloured, never cropped through the vessels, and never overlaid with text. The "TOPACO" watermark and "99dt" overlay are preserved as part of the source artefact; no watermark removal or pixel tampering. Rationale: the photograph is the authoritative content source and the product's hero artefact.
NFR-4 — Bilingual typographic dignity (explicit) Arabic display type and Latin display type are set at equal optical scale and are never mixed inside one line. Arabic display uses Noto Kufi Arabic 700 at 1.15 line-height and 0.02em tracking; Latin display uses Playfair Display 700–900 at 0.92–1.0 leading and -0.02em tracking. Rationale: Arabic-first copy sits alongside Latin display type, and both scripts must carry equal dignity.
NFR-5 — Contrast (explicit)
Muted brass-grey #8A8578 carries captions, timestamps, and disabled states at a contrast ratio above 4.5:1 on the black ground. Rationale: legibility of secondary text on the warm black ground.
NFR-6 — Reduced-motion compliance (explicit) All motion collapses to instant, fully-visible content under prefers-reduced-motion. Rationale: the direction's choreography must never gate reading.
NFR-7 — Palette prohibition (explicit)
No blue or indigo primary or accent anywhere. The only hot colour is vermilion #E2452B and the only metal is gold #C9A227. The generic indigo/blue-on-white SaaS template is forbidden for this project. Rationale: the direction's emotional register is object-as-artefact, not friendly shop grid.
NFR-8 — Shape prohibition (explicit) No rounded cards, pill buttons, glass panels, frosted blur, or drop shadows. The system is sharp-edged and matte. Rationale: the direction's shape language is zero-radius throughout.
NFR-9 — Composition prohibition (explicit) No centred headline + subtext + button hero compositions, and no gradient-blob or particle backgrounds. No grids of identical hover-lift product cards; the gallery is a sparse vertical editorial sequence with unequal plates. Rationale: the direction's layout is asymmetric and editorial.
NFR-10 — Typeface prohibition (explicit) Inter, Roboto, Arial, Helvetica, Poppins, Lato, Open Sans, and system-ui are not used for any heading or body text. Rationale: the direction's typographic voice is Playfair Display and Noto Kufi Arabic.
NFR-11 — Motion prohibition (explicit) No decorative motion that bounces, scales, or loops continuously; motion is limited to mask-wipes, crossfades, and scroll reveals. Rationale: restrained tempo is the direction's stated register.
clamp() for the type scale, and prefers-reduced-motion media queries. (Default — not specified by user)No source-specified technology choices were stated by the user; the above are labeled defaults.
Assumptions
Constraints
#E2452B and the only metal is gold #C9A227. (explicit)
Windy — Objects
ثلاث قطع مذهّبة بقباب من الكريستال المنحوت، مصنوعة لتُرى في ضوء خافت.
Three vessels, one set
The three vessels, as presented by their owner
One photograph, three vessels, shown together as a set. Each piece is a gold-finished lidded vessel with clear faceted crystal — the tallest, the middle and the shortest in the collection.
ثلاث قطع مذهّبة بقباب من الكريستال المنحوت ، تُعرض معاً كمجموعة واحدة.
Gold-finished metal
Clear faceted crystal
99dt
TOPACO
Three vessels · gold & crystal · offered as one collection
Back to the three-vessel set
Windy — Objects
ثلاث قطع مذهّبة بقباب من الكريستال المنحوت، مصنوعة لتُرى في ضوء خافت.
Three vessels, one set
The three vessels, as presented by their owner
One photograph, three vessels, shown together as a set. Each piece is a gold-finished lidded vessel with clear faceted crystal — the tallest, the middle and the shortest in the collection.
ثلاث قطع مذهّبة بقباب من الكريستال المنحوت ، تُعرض معاً كمجموعة واحدة.
Gold-finished metal
Clear faceted crystal
99dt
TOPACO
Three vessels · gold & crystal · offered as one collection
Back to the three-vessel set
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