System Requirements Document

1. Introduction

1.1 Purpose

This SRD defines the canonical requirements for the Artes Gimnásticas conceptual–visual transition framework and its compiled, print-ready deliverable. It establishes the structural vocabulary (thresholds, mid-zone, dynamic transition, synthesis scheme) and the complete inventory of elementos conceptuales and elementos visuales that must be represented, so that the framework can be compiled from a series of source documents and produced as a printed piece without loss, reinterpretation, or terminological drift.

1.2 Scope

In scope:

• The umbral semántico and umbral pragmático, both fixed at Nivel 10, and the zona media entre umbrales that separates them.
• The transición dinámica del umbral semántico al pragmático for every named element.
• The elementos conceptuales: punto, línea, plano, volumen.
• The elementos visuales: color, forma, medida, textura.
• The esquema síntesis artifact, per element and in combined form.
• The compilation of a series of source documents into one canonical set.
• The "Impresión" (printed) production of the compiled framework.

Out of scope: any element, threshold, level, motion behavior, technology layer, or product module not explicitly present in the uploaded source material or the user's chat instructions.

1.3 Source Basis

This SRD is synthesized from:

• The parsed content of the uploaded document 01_Impresion_Artes_gimnasticas.pdf (pages 1–5), which is the first item of a document series.
• The user's explicit instruction to receive and compile a series of documents into a consolidated body of work.

The uploaded document is authored in Spanish; its terminology is canonical and preserved verbatim throughout this SRD, the framework, and the printed piece.

1.4 Intended Readership

• The compiler consolidating the document series.
• The graphic/editorial producer building the printed plates.
• The technical reader (Artes Gimnásticas instructor at Nivel 10) who applies the framework to the operative technical plane.

2. System Overview

The system is an editorial–conceptual framework plus its printed compendium. It is not a software product and requires no runtime user sessions, accounts, or services. It consists of a fixed representational structure applied uniformly to every element of Artes Gimnásticas.

2.1 The Fixed Structural Skeleton

Every element block in the framework is organized along a single vertical progression:

The movement between origin and destination is the transición dinámica del umbral semántico al pragmático. The summarized visual artifact of that movement is the esquema síntesis.

2.2 The Two Element Families

Elementos Conceptuales — punto, línea, plano, volumen. Each has its own named trajectory behaviors and its own esquema síntesis, plus a combined synthesis of all four.

Elementos Visuales — color, forma, medida, textura. Each is subject to the same semantic-to-pragmatic transition and the same esquema síntesis treatment.

2.3 Operating Principle

The framework converts a relato (narrative, referential plane) at the umbral semántico into a técnica (operative plane) at the umbral pragmático, at the fixed level Nivel 10, by way of explicitly named and drawn trajectories. Nothing is left implicit: every element carries a declared origin, a declared path, and a declared destination.

3. Functional Requirements

3.1 Structural Framework

FR-01. As a framework author, I want the umbral semántico fixed at Nivel 10, so that every element has a single, non-negotiable point of origin.

FR-02. As a framework author, I want the umbral pragmático fixed at Nivel 10, so that every element has a single, non-negotiable point of arrival.

FR-03. As a framework author, I want a zona media entre umbrales located between the two thresholds, so that intermediate states of an element can be represented.

FR-04. As a framework author, I want a transición dinámica del umbral semántico al pragmático defined for every element, so that no element exists without a documented path from semantic to pragmatic.

FR-05. As a reader, I want an esquema síntesis for each element, so that the complete transition of that element can be read and understood on a single plate.

FR-06. As a compiler, I want the designation Nivel 10 applied consistently to both thresholds and carried onto every plate, so that no plate implies a different level.

3.2 Elementos Conceptuales — Punto

FR-07. As a reader, I want the trayectoria pendular descendente of the punto represented, so that I can see its characteristic descending swing.

FR-08. As a reader, I want the deslizamiento del punto del umbral semántico al pragmático represented, so that the sliding displacement of the point across thresholds is visible.

FR-09. As a reader, I want the descenso diagonal of the punto represented, so that its diagonal descent within the framework is legible.

FR-10. As a reader, I want the condensación of the punto represented, so that its condensation state between umbrales is visible.

FR-11. As a framework author, I want the transición dinámica de los puntos del umbral semántico al pragmático stated explicitly, so that the point's full transition is specified.

FR-12. As a reader, I want an esquema síntesis del punto, so that the point's element block is summarized on one artifact.

3.3 Elementos Conceptuales — Línea

FR-13. As a reader, I want the trayectoria radial curvilínea of the línea represented, so that its curved radial path is visible.

FR-14. As a reader, I want the dislocación angular de la línea base represented, so that the angular displacement of the base line is visible.

FR-15. As a reader, I want the desplazamiento progresivo radial of the línea represented, so that its progressive radial displacement is visible.

FR-16. As a reader, I want the condensación focal of the línea represented, so that its focal condensation is visible.

FR-17. As a framework author, I want the transición dinámica de las líneas del umbral semántico al pragmático stated explicitly, so that the line's full transition is specified.

FR-18. As a reader, I want an esquema síntesis de la línea, so that the line's element block is summarized on one artifact.

3.4 Elementos Conceptuales — Plano

FR-19. As a reader, I want the descenso rotacional en inserción of the plano represented, so that its rotational descent upon insertion is visible.

FR-20. As a reader, I want the contracción rotacional especializada of the plano represented, so that its specialized rotational contraction is visible.

FR-21. As a reader, I want the rotación planimétrica con centro cóncavo-convexo represented, so that the concave–convex centered planimetric rotation is visible.

FR-22. As a reader, I want the contracción planimétrica con centro desplazado represented, so that the off-center planimetric contraction is visible.

FR-23. As a framework author, I want the transición dinámica de los planos del umbral semántico al pragmático stated explicitly, so that the plane's full transition is specified.

FR-24. As a reader, I want an esquema síntesis del plano, so that the plane's element block is summarized on one artifact.

3.5 Elementos Conceptuales — Volumen

FR-25. As a reader, I want the dilatación superficial envolvente of the volumen represented, so that its enveloping surface dilation is visible.

FR-26. As a reader, I want the repliegue de la unidad morfo semántica a un foco técno pragmático represented, so that the folding of the morpho-semantic unit into a techno-pragmatic focus is visible.

FR-27. As a reader, I want the especialización de la plataforma de contacto a piso represented, so that the specialization of the floor-contact platform is visible at the pragmatic pole.

FR-28. As a framework author, I want the transición dinámica del volumen del umbral semántico al pragmático stated explicitly, so that the volume's full transition is specified.

FR-29. As a reader, I want an esquema síntesis del volumen, so that the volume's element block is summarized on one artifact.

3.6 Combined Conceptual Synthesis

FR-30. As a framework author, I want a transición dinámica del punto, la línea, el plano y el volumen del umbral semántico al pragmático stated as a single combined requirement, so that the four conceptual elements are also readable as one integrated movement.

FR-31. As a reader, I want an Esquema Síntesis de los Elementos Conceptuales, so that all four conceptual elements can be read together on one plate.

3.7 Elementos Visuales — Color

FR-32. As a producer, I want a demarcación cromática indicativa asociada al relato, so that the narrative content is chromatically indicated and readable.

FR-33. As a producer, I want contraste cromático de las unidades funcionales, so that the functional units of the framework are chromatically distinguishable from one another.

FR-34. As a framework author, I want the transición dinámica del color del umbral semántico al pragmático stated explicitly, so that color has a specified semantic-to-pragmatic path.

FR-35. As a reader, I want an esquema síntesis del color, so that the color element block is summarized on one artifact.

3.8 Elementos Visuales — Forma

FR-36. As a framework author, I want the transición morfológica del plano referencial del relato al plano operativo técnico represented, so that the shift from narrative morphology to technical morphology is explicit.

FR-37. As a reader, I want the silueta ascendente constante represented, so that the constant ascending silhouette is visible as a stable formal constant.

FR-38. As a framework author, I want the transición dinámica de la forma del umbral semántico al pragmático stated explicitly, so that form has a specified transition.

FR-39. As a reader, I want an esquema síntesis de la forma, so that the form element block is summarized on one artifact.

3.9 Elementos Visuales — Medida

FR-40. As a framework author, I want the transición dinámica de la medida del umbral semántico al pragmático stated explicitly, so that measure is carried through the same threshold transition as the other visual elements.

FR-41. As a reader, I want an esquema síntesis de la medida, so that the measure element block is summarized on one artifact.

3.10 Elementos Visuales — Textura

FR-42. As a framework author, I want the transición dinámica de la textura del umbral semántico al pragmático stated explicitly, so that texture is carried through the same threshold transition as the other visual elements.

FR-43. As a reader, I want an esquema síntesis de la textura, so that the texture element block is summarized on one artifact.

3.11 Elementos Visuales — Combined Treatment

FR-44. As a framework author, I want the four elementos visuales (color, forma, medida, textura) declared as a single set, so that the visual family is presented as one coherent group.

3.12 Compilation of the Document Series

FR-45. As a compiler, I want to receive a series of documents, so that I have the raw material of the framework.

FR-46. As a compiler, I want to compile the received documents into one canonical set, so that the framework is available as a single consolidated body rather than scattered files.

FR-47. As a compiler, I want every element block in each source document preserved when merged, so that compiling the series never drops or merges a named element or sub-behavior.

FR-48. As a compiler, I want the document series ordered and numbered (the current source being the first file, 01_...), so that the compilation sequence is traceable.

FR-49. As a compiler, I want later documents in the series to populate the same fixed skeleton (umbral semántico / zona media / umbral pragmático / esquema síntesis), so that expanded content never alters the framework's structure.

3.13 Print Production ("Impresión")

FR-50. As a producer, I want the compiled framework delivered as a print-ready piece, so that the framework can exist as a physical, distributable artifact.

FR-51. As a producer, I want all plates to share the same threshold axis and alignment grid, so that the printed set reads as one continuous system.

FR-52. As a producer, I want the named trajectory behaviors rendered as vector glyphs on the shared axis, so that each element's motion is drawn, not merely described.

FR-53. As a reader, I want each element's esquema síntesis laid out as a self-contained plate, so that any single element can be studied in isolation.

4. User Personas

4.1 Compilador documental (autor-editor)

• Goal: Receive a series of documents and consolidate them into one canonical, complete body of framework content.
• Accepted workflow: Ingests each incoming document, decomposes it into element blocks, classifies each block as conceptual or visual, verifies that each block carries the umbral semántico (Nivel 10), the zona media entre umbrales, the umbral pragmático (Nivel 10), a dynamic transition statement, and an esquema síntesis, and then merges the blocks into the canonical set.
• Information visible: The full source document series, the element inventory, and the completeness state of each element block.

4.2 Productor gráfico-editorial

• Goal: Convert the compiled framework into a coherent, print-ready plate series.
• Accepted workflow: Takes each esquema síntesis, builds the shared threshold axis, places the semantic node, the zona media band, and the pragmatic node, renders the named vector trajectory glyphs, applies the demarcación cromática and the contraste cromático of the unidades funcionales, and prepares the plates for print output.
• Information visible: The compiled element blocks, the trajectory vocabulary, the chromatic coding rules, and the plate layout grid.

4.3 Lector técnico (instructor de Artes Gimnásticas, Nivel 10)

• Goal: Read a plate and translate the narrative pole of an element into its operative technical execution at Nivel 10.
• Accepted workflow: Reads the relato at the umbral semántico, follows the element's named trajectory through the zona media, arrives at the umbral pragmático, and reads the resulting operative technical specification (for the volume, the especialización de la plataforma de contacto a piso).
• Information visible: The element plate, its trajectory glyph, its threshold markers, and its esquema síntesis.

5. Core User Flows

5.1 Flow A — Compilation of the Document Series (Compilador documental)

1. Receive the first document of the series (01_Impresion_Artes_gimnasticas.pdf).
2. Decompose the document into its element blocks.
3. Classify each block as elemento conceptual (punto, línea, plano, volumen) or elemento visual (color, forma, medida, textura).
4. For each element, locate and record the umbral semántico (Nivel 10) state.
5. Record the zona media entre umbrales state.
6. Record the umbral pragmático (Nivel 10) state.
7. Record every named trajectory behavior of that element, verbatim and unmerged.
8. Record the esquema síntesis for the element.
9. Repeat steps 2–8 for each subsequent document in the series.
10. Assemble the combined Esquema Síntesis de los Elementos Conceptuales.
11. Publish the canonical compiled set with the fixed skeleton intact.

5.2 Flow B — Element Representation on the Threshold Axis (Productor gráfico-editorial)

1. Select an element block from the compiled set.
2. Establish the shared vertical threshold axis for the plate.
3. Place the umbral semántico node at the top, marked Nivel 10.
4. Mark the zona media entre umbrales as the intermediate band.
5. Place the umbral pragmático node at the bottom, marked Nivel 10.
6. Render the element's named trajectory glyphs along the axis (e.g. trayectoria pendular descendente, trayectoria radial curvilínea, descenso rotacional en inserción, dilatación superficial envolvente).
7. Apply the demarcación cromática indicativa asociada al relato.
8. Verify contraste cromático de las unidades funcionales.
9. Produce the esquema síntesis plate for that element.
10. Confirm the plate carries both thresholds as Nivel 10.

5.3 Flow C — Print Production of the Compendium (Productor gráfico-editorial)

1. Order all esquema síntesis plates: punto, línea, plano, volumen, combined conceptual synthesis, color, forma, medida, textura.
2. Apply the shared axis and alignment grid across all plates.
3. Apply the consistent chromatic coding for the semantic pole, the mid-zone, and the pragmatic pole.
4. Embed the vector trajectory glyphs and the silueta ascendente constante.
5. Set typographic hierarchy for framework terms, element names, and trajectory labels.
6. Export the plate series as a print-ready output with bleed and registration.
7. Verify chromatic reproduction and diagram legibility in print.
8. Release the "Impresión" compendium.

5.4 Flow D — Technical Reading and Application (Lector técnico)

1. Select a plate.
2. Read the relato at the umbral semántico (Nivel 10).
3. Follow the element's named trajectory through the zona media entre umbrales.
4. Observe the contraction, descent, rotation, dilation, or folding behavior named for that element.
5. Arrive at the umbral pragmático (Nivel 10).
6. Read the operative technical outcome at the pragmatic pole (for example, the especialización de la plataforma de contacto a piso under volumen).
7. Apply the outcome to Nivel 10 instruction.

6. Visuals, Colors and Theme

Not specified by the source. The following restrained defaults are derived from the framework's own requirements (demarcación cromática asociada al relato; contraste cromático de las unidades funcionales), its editorial/print delivery shape ("Impresión"), and its two-pole threshold logic.

6.1 Theme

A restrained editorial-diagrammatic theme: paper-white ground, dense line work, no photographic imagery, no ornamental fills. The theme exists to make the threshold progression unmistakable.

6.2 Color System — Two-Pole Threshold Coding

• Ground: paper white — #F7F5F1.
• Umbral semántico (relato) pole: warm, narrative-marking tone — #B4703A.
• Zona media entre umbrales: neutral transition band, stepped greys — #D6D3CE → #9AA0A3.
• Umbral pragmático (técnica) pole: cool, technical tone — #1F4E5F.
• Line work, axes, and trajectory glyphs: ink black — #1A1A1A.
• Contraste cromático de las unidades funcionales: each element block (punto, línea, plano, volumen, color, forma, medida, textura) receives one distinguishable accent drawn from a restrained extended set, applied consistently across its plate.
• Demarcación cromática: the chromatic marking carried by the relato is preserved across every plate so narrative content remains traceable.

6.3 Typography

• A humanist text face for the relato and framework prose.
• A technical/monospaced face for threshold labels, level markers (Nivel 10), and trajectory names.

6.4 Constraints

Color must remain reproducible in process print; the two threshold poles must never be assigned the same hue.

7. Signature Design Concept

"Eje de Umbrales" (Threshold Spine). Every plate in the compendium is built on one continuous vertical spine:

• Top node: Umbral semántico — Nivel 10.
• Middle band: Zona media entre umbrales.
• Bottom node: Umbral pragmático — Nivel 10.

The element's entire transformation is drawn as a vector glyph crossing that spine — pendular, diagonal-descent, sliding, radial-curvilinear, angular-dislocated, rotational-in-insertion, planimetric-rotational, contracting, dilating, or folding, as named per element. Because the spine is identical on every plate, the plates align and stack into one continuous system when printed, and any single element can be read in isolation without losing its position in the whole.

The esquema síntesis is the formal expression of this concept: one element, one spine, one drawn transition.

8. Interaction Model & Motion Direction

8.1 Interaction Model

The deliverable is static and editorial. There is no runtime interface, no navigation chrome, and no user state. "Interaction" consists of:

• Plate sequence: the ordered progression of esquema síntesis plates.
• Spine continuity: the identical threshold axis on every plate, allowing the reader to carry their position across plates.
• Top-to-bottom reading: the reader always travels from semantic origin to pragmatic destination.
• Legend consistency: threshold markers, level labels, and trajectory names are placed identically on every plate.

8.2 Motion Direction

All represented motion is directional and derived from the source vocabulary:

• Descending / gravitational: trayectoria pendular descendente, descenso diagonal, deslizamiento del punto, descenso rotacional en inserción.
• Radial / curvilinear: trayectoria radial curvilínea, desplazamiento progresivo radial, rotación planimétrica centro cóncavo convexo.
• Rotational / insertive: contracción rotacional especializada.
• Expansive / enveloping / ascending: dilatación superficial envolvente, silueta ascendente constante.
• Contractive / concentrating: condensación, condensación focal, contracción planimétrica centro desplazado, repliegue de la unidad morfo semántica a un foco técno pragmático.

Dominant direction: downward, from the semantic pole to the pragmatic pole. The ascending silhouette operates as a constant counter-form within that downward progression.

8.3 Pacing

Slow, diagrammatic, and legible. Nothing animates; the "motion" is the represented trajectory of the element, and it must be readable at print size without narration.

9. Non-Functional Requirements

NFR-01 — Terminological fidelity. All framework terms (umbral semántico, umbral pragmático, Nivel 10, zona media entre umbrales, transición dinámica, esquema síntesis, elementos conceptuales, elementos visuales, and every named trajectory) are preserved verbatim in the compiled content and the printed piece.

NFR-02 — Structural uniformity. Every element block contains the umbral semántico (Nivel 10), the zona media entre umbrales, the umbral pragmático (Nivel 10), an explicit dynamic transition statement, and an esquema síntesis. No block may omit any of these.

NFR-03 — Compilation completeness. No named element or named trajectory behavior may be dropped, merged, or paraphrased during compilation of the document series.

NFR-04 — Chromatic reproducibility. The two-pole threshold coding and all element accents must reproduce consistently in process print.

NFR-05 — Print legibility. Trajectory glyphs, threshold markers, and labels must remain legible at final printed size with clear typographic hierarchy.

NFR-06 — Vector scalability. The threshold spine, trajectory glyphs, and silhouette must be vector assets that scale without degradation.

NFR-07 — No runtime dependency. The deliverable is a static printed artifact; it requires no server, session, account, or service to be read or used.

NFR-08 — Traceability. Each compiled element block must remain attributable to the source document it came from (the series is numbered, e.g. 01_...).

NFR-09 — Diagrammatic contrast. Figure/ground contrast on every plate must be sufficient for the threshold poles and the trajectory line to be distinguished at a glance.

NFR-10 — Series coherence. All plates must share the same spine position, grid, legend placement, and chromatic semantics so the compendium reads as one system.

10. Tech Stack

Not specified by the source. Only the layers required by the accepted delivery shape — a compiled, print-ready editorial piece — are included.

• Vector asset production: SVG-based trajectory glyphs, the threshold spine, and the silueta ascendente constante.
• Page layout / editorial composition: a desktop publishing workflow for the esquema síntesis plate series.
• Typography: two embedded typefaces — a humanist text face for the relato, a technical face for threshold and trajectory labels.
• Color management: process (CMYK) color with an exact spot color reserved only if a threshold pole must match precisely; defined bleed and registration.
• Output format: print-ready PDF with bleed, crop marks, and registration.
• Compilation documentation: the canonical compiled index and requirements maintained in Markdown alongside the source document series.

11. Assumptions and Constraints

Assumptions

• A1. The word "Impresión" in the document title and file name denotes a printed deliverable; the compendium is therefore produced for print.
• A2. Nivel 10 is a fixed designation that applies to both thresholds; the source repeats it on every plate without variation.
• A3. The user stated that a series of documents would be supplied; only the first (01_Impresion_Artes_gimnasticas.pdf) is present. Subsequent documents are expected to populate the same fixed skeleton and must not alter it.
• A4. Medida and textura are named as elementos visuales but carry no parsed sub-behaviors. They receive the standard transition slot and esquema síntesis slot defined for visual elements; their specific trajectory content is pending further source material.
• A5. Two labels appear without an unambiguous element attachment in the parsed layout (descenso diagonal / condensación on page 1; desplazamiento progresivo radial / condensación focal on page 2). They have been assigned to their nearest element block (punto and línea respectively). Their underlying behavior is preserved without alteration.
• A6. The source is authored in Spanish; Spanish terminology is canonical for the compiled content and the printed piece.
• A7. The combined Esquema Síntesis de los Elementos Conceptuales is a distinct artifact from the four individual conceptual esquemas síntesis.

Constraints

• C1. No element, threshold, level, trajectory behavior, or technology may be introduced that is not present in the source material.
• C2. The framework is bound to Nivel 10; no other level appears in the source and none may be added.
• C3. Every plate must carry both threshold markers as Nivel 10.
• C4. The compendium must remain a static printed artifact; no interactive runtime may be introduced.
• C5. Distinct named behaviors must never be collapsed into a single generic entry.
• C6. The fixed skeleton (umbral semántico / zona media entre umbrales / umbral pragmático / esquema síntesis) may not be restructured when new documents in the series are added.

12. Glossary