Realistic faceswap on yourfootage
Bring one clip and one face. Get a take that reads as a single living surface.
Set up your face swapFace swap studio
The face-field is built from the creator's own frame data.
Your footage, your face, one take out.
The face-field is rendered from the creator's own frame data, so the promise on screen is the same pipeline your take will run through.
Footage in
Your footage, frame by frame
The footage plane carries the creator's own frame data as a particle grid.
The swap is built on your real footage, not a stock clip.
Chapter one is the footage plane: the first of three stacked planes inside the field. Your clip is sampled into a particle grid, so the swap is built on the frames you supplied rather than a stock clip. The camera rises to a pure side view to read the grid edge-on.
- Plane
- Footage in
- Source
- Creator's own frames
- Representation
- Particle grid
- View
- Pure side view
Eight frames
The strip that carries the source
The footage plane carries the creator's own frame data as a particle grid.
Every frame of the swap is anchored to footage you supplied.
The frame strip runs along the footage plane and carries the source sequence in order. Each frame in the swap is anchored to a slot on this strip, so nothing drifts from the footage you supplied.
Face in
One face, set into the field
The face plane is a luminous particle mask with an orange core bleeding to mint at the edges.
The face you supply becomes the living surface of the take.
The face plane is a luminous particle mask: an orange core bleeding to mint at the edges. The face you supply becomes the living surface of the take, set into the field rather than pasted over it.
Burnt orange core
The signal is a single hot colour
The face plane is a luminous particle mask with an orange core bleeding to mint at the edges.
The result reads as one living surface, not a cut-out.
The core band is the hot centre of the face plane, where the signal reads as a single colour. Because the mask is one continuous surface, the result reads as a living face, not a cut-out laid on top.
Take out
Three planes, one take
Footage, face and take are separate planes that fuse into a single flowing field.
The result is a take you can review and keep.
Footage, face and take are separate planes that fuse into a single flowing field. The take plane is where they meet, and the result is a take you can review and keep.
- Footage in
- Face in
- Take out
The only curve
A single soft-edged circle
The soft-edged luminous aperture is the only curved form on the page.
Everything else is sharp so the glow is the only softness.
The aperture is a single soft-edged luminous circle, the only curved form on the page. Everything else stays sharp, so the glow is the only softness in the frame.
Ready to review
The completed take plays, scrubs and downloads from the review surface.
Judge the result, then keep it.
The completed take plays, scrubs and downloads from the review surface. Judge the result, then keep it.
Take out
Set up your swap, upload your footage, and review the take when it lands.
Set up your face swapLogin
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